The goal here is to use familiar cultural iconography to
create an easily recognizable symbol for the city of busan. we used the
form of a goindal, an ancient ceremonial stone form found throughout korea
(not entirely dissimilar to a stone-henge like module) with a glass lantern
intersected through the center, and masses subtracted to reveal and frame
carefully composed views of the busan skyline from the center. the lantern
becomes the vertical circulation space and the remaining volumes of the
goindal form the three principal programmatic elements of the complex: an
opera house, a concert hall, and a studio theater/multipurpose exhibition
Korea has a rich past and the busan opera can add a new
page to that history. this design attempts to bring together the past, present,
and future of that cultural legacy into a dynamic space. we began with two
symbols: the goindal, a type of ancient stone marker commonly found in
korea, and the lantern, a symbol of celebration. these symbols create a
cultural context from which the opera can become the city's icon.
The primary volumes are all enveloped in a steel mesh, which gives nal
form to the primary volumes, making the site appear from the city as a
series of giant stones hovering above the ground. the mesh also provides
protection from the elements by creating a double facade system that will
shade the interior spaces in the summer, and provide shelter from the wind
in the winter. the activity that occurs in the central structures will cause the
lighting on the outside to be dynamic, creating an active shimmer through
the mesh. some areas of the mesh are equipped with led lighting that can
display anything from event information to animated patterns.
the goindal and the lantern are also the basis for the project's formal
strategy. the theaters and program spaces work as the solid stone tables that
surround a central public space that lights up as a lantern. the model of the
goindal also lifts the buildings o the ground, creating a free-owing public space with multiple programs at the ground level. during night events, the central space lights up to create a beacon at the edge of the water, announcing that there is activity at the center.
The complex acts as a social attractor, bringing together people not just
for major performances, but to enjoy the site as a dynamic public park and
forum. this space can be the anchor of a new urban district for the city. the
site of the opera provides an opportunity to create a space that is both a
beacon that can be seen from the city and a space from which to see the city.
its location on a newly formed island creates a good vantage point from which
to appreciate the city of busan. the careful composition of views toward the
city governed the location and shape of the primary masses of the complex.
views toward the bridge, the busan tower, the war memorial, and busan's
tallest tower received special attention. from the city, the spaces between
the theater masses create a glimpse into the central lobby space. this space
will be alive with activity as visitors move between the various programs that
activate the space at all times. cuts in the skin oer further glimpses into
what is happening within the space.
Client: The Government of South Korea
Location: Busan, South Korea